I try to always tell my emotiona lexperience
through the composition , intended as a crossroads between
impulsive visceral writing, l and rational schematic writing.
And I try to focus attention on the thrilling virtuosity and
rhythmic aspect, intersected with the strong pathos rooted
in my being, but perhaps that often conceals the romantic
vision of my music making.
For some years now, this myriad of "notes intersected
by notes", which represents the variety and versatility
of the colors used in each composition, has become increasingly
diminishing untilitbecomes so weakas in the strong sense ,
trying to focus in an increasingly visible event hose shades
of colors not very perceptible.
In this process, therefore, I believe there is a need to explore
those hidden colors of the soul, those confused shades that
only the Music, perhaps with Love, manages to make distinct
and deep. Thanks to these veins, made of notes and Life and
seen by more penetrating "eyes", shines clear my
new identity (evenartistic ), lead to the exaltation of the
hidden romance, of the true colors that become reality, embellishing,
I believe, the Soul.